Showing posts with label Punjab history. Show all posts
Showing posts with label Punjab history. Show all posts

Saturday, July 23, 2011

Culture of Punjab

Geographically, the North West region of India is known as Punjab. This is called the land of five rivers as the word Punjab is made up of two words 'Panj'+ 'Aab' where 'Panj' means five in Punjabi and 'Aab' mean rivers in Punjabi.

Punjabi culture is one of the oldest and richest cultures of the world. The Punjabi Culture is the culture of the Punjabi people who are now distributed throughout the world. The scope, history, sophistication and complexity of the culture are vast.

Punjab is the 15th largest state in India. Many races of people and religions made up the cultural heritage of the Punjab. The genius of Punjabis finds expression in love stories, lusty dancing and in humor. Punjab is very rich in terms of dance and is known for its dance forms. Most popular Punjabi dances are Bhangra, Giddha, Jhumar, Luddi, Dankara Julli, Sammi, Dhamal, Jaago, Kikli and Gatka.

Now a day, many non-Punjabis are also getting into Punjab's folk dances and you can occasionally see a European or Chinese in various Bhangra competitions. These non-Punjabis have simply made Punjabi dance a part of their own culture as well.

Museums in Punjab-Punjab museums possess an extensive range of paintings and sculptures by many Indian artists as well as a collection of Indian miniatures of the Mughal Rajsathani, Pahari and Sikh schools. The museums also house a fine collection of medals and arm, as these are objects of princely states with sections on Archaeology, Anthropology, Tribal and folk arts depicting different concepts and scopes in the patterns of Art and Culture.

Art and craft of Punjab- Punjab art is described as a creation or expression of something beautiful especially in visual form and many a time in Art and craft. Many phrases have decorative designs and handicrafts. Many things which are associated with art and craft of Punjab are known all over the world for their quality and beauty.

Wednesday, May 25, 2011

The lesser Holocaust, Chhota Ghalughara

In order to avenge the death of his brother, Diwan Lakhpat Rai had got all the Sikhs of Lahore executed by scavengers on the 10th March, 1746 AD after that he marched with an army of fifty thousand and the artillery to wipe out the Sikhs. In those days, about Fifteen thousand Sikhs had taken shelter in the marshes of river Ravi near the pool of Kahnuwan in Gurdaspur District about 20 kms North west of current day Gurdaspur. The forces of Lakhpat Rai besieged the marshes and began pounding the area with cannons from outside. Finding themselves helpless against guns of the royal army, the Sikhs headed for the hills. The army moved in pursuit. The rations, the Sikhs had, were finished. Whenever they found an oppurtunity, the Sikhs robbed the army and went away.

One evening the Sikhs came out of the bushes and attacked the army but when the army went after them, they retreated a long way back. The army thought that the Sikhs had gone away. The detachment of the army went to sleep worrilessly. The Sikhs returned, took hold of the horses, rations and the weapons of the detachment and returned to take shelter in the bushes again. The Sikhs crossed the river Ravi and started for the towns of Parol and Kathua. The Sikhs were of the view that Hindu population of the hills would give them shelter but the hill people welcomed them with bullets and stones. They had also received order of Diwan Lakhpat Rai. "Whosoever gives shelter to the Sikhs will meet the same fate as that of the Sikhs."
MARCHThe Sikh leaders decided, "Come what may, the Sikhs on foot should climb the hills and the horsemen should cut through the army and march towards Lahore." The hill people could not stop Sikhs. The Sikhs fought their way to Kulu and Mandi and reached Kiratpur in six months.

After the Sikhs on foot had climbed the hills, the horsemen fell upon the royal Army. In this confusion, one leg of Sardar Sukha Singh was broken by a cannon shell. Harbhajan Rai, Son of Lakhpat Rai and Nahar Khan, son of Yahiya Khan were killed. Piercing the army, the Sikhs started towards Lahore. They crossed the river Ravi with the help of rafts made of reeds and grass and returned to Majha. When Sikhs crossed river Beas at Sri Hargobindpur they had to face forces of Adina Beg. Sikhs of 18-19th centuryGiving him a taste of battle the Sikhs crossed river Sutlej from the ferry bank at Aliwal and heaved a sigh of relief after entering Malwa in June, 1746 AD.
In this lesser holocaust of two and a half months, seven thousand Sikhs attained martyrdom fighting while Lakhpat Rai took three thousand as prisoners to Lahore with him where he tortured them to martyrdon.

Saturday, May 7, 2011

The Sikh Identity : 5Ks

The five sacred Sikh symbols prescribed by Guru Gobind Singh are commonly known as Panj Kakars or the 'Five Ks' because they start with letter K representing Kakka in the Punjabi language. 

They are:

1. Kesh or unshorn hair, regarded as a symbol of saintliness. Guru Nanak started the practice of keeping the hair unshorn. The keeping of hair in its natural state is regarded as living in harmony with the will of God, and is a symbol of the Khalsa brotherhood and the Sikh faith. Hair is an integral part of the humanbody created by God and Sikhism call for its preservation. The shaving or cutting of hair is one of the four taboos or Kurehats.

Long unshorn hair. A symbol of spirituality
. The Kesh reminds a Khalsa to behave like the Guru's. It is a mark of dedication and group consciousness, showing a Khalsa's acceptance of God's will. Long hair have long been a common element of many spiritual prophets of various religions such as Jesus, Moses and Buddha

 The keeping of unshorn hair represents the Sikh belief in the accepting of God's will. The unshorn hair is to be covered at all times by the dastar (turban) as a sign of respect for God, and also as a sign of acceptance of the belief in the equality of men and women. Sikhism preaches that the only reason one should cover one's head is out of respect for God. Since men and women are equal, both men and women must cover their heads, and since God is everywhere, they must do so at all times. The turban also serves as an outward form of recognition of Sikh men and women.
For the respect of your hair, two turbans are to be tied, tying each layer one at a time. There should be a small turban tied underneath and a larger one tied above this. Women must not plait their hair and should keep their hair tied in a bun. If possible, in order to respect your Kesh then a small turban should be tied.

God also revealed himself as Kesdhari (when God gave Darshan/revealed himself to Sahib Sri Guru Nanak Dev ji he did so in the form of a human with his hair intact), as does the following line narrate:
2. Kangha or the comb is necessary to keep the hair clean and tidy. A Sikh must comb his hair twice a day and tie his turban neatly. The Gurus wore turbans and commanded the Sikhs to wear turbans for the protection of the hair, and promotion of social identity and cohesion. It has thus become an essential part of the Sikh dress. A symbol of hygiene and discipline as opposed to the matted unkept hair of ascetics. A Khalsa is expected to regularly wash and comb their hair as a matter of self discipline.

This is to be worn in the hair at all times, and is used for combing of one's hair: "it represents hygiene [.] ridding oneself of impurities and what is morally undesirable". Thus, the kanga reinforces the belief that one would maintain cleanliness of spirit, mind and body.

In order to keep the kesh clean a wooden kangha( Sikh Comb ) is to be kept in the hair. According to scientific research keeping a wooden kangha in your hair reduces the level of static energy building up. A metal or ivory comb is not to be used as a substitute.

To keep the hair clean it must be combed twice daily. In the morning and evening after combing your haira turban is to be tied. It is to be tied a layer at a time, and it is to be removed in the same manner, taking it off a layer at a time.

If your kangha becomes damaged in anyway it should be replaced immediately. The kangha is placed on the head the highest point of the body and thus becomes supreme. In the same way the Khalsa is to become supreme by removing ego and being humble. Just as the kangha removes broken hairs and cleans the hairphysically, it is also spiritually questioning the individual as to how many good and bad deeds have been committed during the day. Just as clean hair is attached to your head so are your good deeds. Similarly, as broken hairs are removed by your kangha, your vices should be removed in the same way. The hairs removed by the kangha are not to be thrown in a dirty place or on the floor. They are to be kept in a clean and dry place/container and when enough hair has gathered they are to be burnt. Women and children are to tie a string to their kangha so that it can easily be tied to their hair, and to stop it from falling. At home two to four spare kanghas are to be kept.
3. Kara or the steel bracelet symbolises restrain from evil deeds. It is worn on the right wrist and reminds the Sikh of the vows taken by him, that is, he is a servant of the Guru and should not do anything which may bring shame or disgrace. When he looks at the Kara, he is made to think twice before doing anything evil with his hands. 

The circular design of the kara signifies the oneness and eternity of God and 
 "the symbol of perfection [.] a reminder of the wearer to be mindful of his role of spiritual aspirant and useful citizen [.] the kara is also on the right side, which is the hand [with which] most people perform their deeds [ and] is a constant reminder to perform good deeds". By wearing it on the wrist, it binds the wearer to the will of God, and reminds the wearer to never extend one's hand for the performance of evil.

The Kara must be of Sarab Loh (pure iron). The Khalsa is not to wear a kara that is made of gold, silver, brass, copper or one that has grooves in it. Only the Sarab Loh Kara is acceptable to Guru Ji. The Kara is a handcuff placed by the Guru upon the individual to remind us of our duty to God, stopping us from committing sins.

 The Kara acts as protection if someone goes to strike you with a sword on your wrist. According to scientific research, the Kara adds to the iron levels in the body by rubbing on the skin. TheKara teaches us that these arms belong to Sahib Sri Guru Gobind Singh ji - with which we are not to steal, con, commit forgery, oppress, bully, persecute, sin or murder. Gambling and playing cards and gambling are not permitted. With these hands we should earn an honest living and share its benefits. In addition, your hands should serve your community and the Khalsa nation. The Kara is a precious gift bestowed upon us for life by Guru Sahib, which cannot be separated from the body. The Kara is circular, having no beginning and no end. Similarly, Waheguru has no beginning or end and the Kara reminds us of this.

4. Kachh or the soldiers shorts must be worn at all times. It reminds the Sikh of the need for self-restrain over passions and desires. Apart from its moral significance, it ensures briskness during action and freedom of movement at all times. It is a smart dress as compared to the loose dhoti which most Indian wore at that time A symbol signifying self control and chastity
Resembling boxer shorts they are designed for comfort and freedom of movement: ".a symbol of restraint of passion, of chastity , and a constant reminder of the prohibition of adultery , both in lusting and in deed". The Kashera is the sign of sexual restraint. The Kashera and Kirpan are never to be separated from thebody.You are only to wear Rev Kashera (a traditional style Kashera). The Kashera gives us the teaching,

5. Kirpan or the sword is the emblem of courage and self-defence. It symbolises dignity and self-reliance, the capacity and readiness to always defend the weak and the oppressed. It helps sustain one's martial spirit and the determination to sacrifice oneself in order to defend truth, oppression and Sikh moral values. Asymbol of dignity and the Sikh struggle against injustice. It is worn purely as a religious symbol and not as a weapon. When all other means of self protection fail, the Kirpan can be used to protect yourself or others against the enemy.

This article of faith most closely resembles a sword in a metal sheath and wrapped in a fabric holster . The word Kirpan itself means "mercy, grace, or magnanimity". The Kirpan is most often worn close to the skin of the body, underneath clothing, and is kept in place by a strap around the shoulder and torso, attached in place by the fabric holster . "While the Kirpan arose of a particular culture and had, at one time, the function of a sword, it long ago lost this aspect, and has become completely spiritualized. It now speaks of law and morality, justice and order, and has become an instrument of the Divine itself'. It represents spiritual power and is never to be used as a weapon.

By wearing it on one's person, it is to remind the wearer to always stand up against injustice. Keeping it close to one's body also reminds the wearer that he/she is mortal and should make the most of his/her life by helping others and defending justice.


The Kirpan is there to protect the poor and for self-defence
. With patience and mercy, the Kirpan is to be used as a sword in order to destroy oppression. The Kirpan is to always be in a gatra and never to be removed from the body. The Kirpan protects us from hidden and seen enemies. The Kirpan is a weapon to protect the whole body, as a minimum it should be nine inches in length. Keeping the Kirpan in a Kangha, in the Kesh and putting it on a string around the neck like a Janeoo, are against the Rehat and forbidden.

You are never to walk over your Kirpan or other weapons. When washing your Kesh, the Kangha is to betied to your Kirpan and the Kirpan tied around your waist. When bathing, your Kirpan is to be tiedaround your head and not tucked into the Kashara as this dishonours your Kirpan and is therefore forbidden. When women bathe they are to tie their dupata on their head and then their Kirpan. When going to sleep your Kirpan is not to be removed from your body.

The Kirpan is only to be used for two things. Firstly, to give Guru Ji's blessing to freshly prepared Karah Prasad or for langar. Secondly, in order to destroy tyrants and oppressors. It must never be used for anythingelse.

The Five K's, along with the turban, constitute the Khalsa uniform, which distinguishes a Sikh from any other person in the world, and is essential for preserving the life of the community and fostering the Khalsabrotherhood.
The Five K's are not supposed to foster exclusiveness or superiority. They are meant to keep the Sikhs united in the pursuit of the aims and ideals of the Gurus. They enable them to keep their vows made at the time of baptism. The Sikhs have been known to face torture and death rather than cut their hair or remove any of the sacred symbols.

The Khalsa cannot be anonymous. His religion is known to all. He stands out among people, and any unseemly behaviour or action on his part would be noted as unbecoming of a follower of the Gurus. People would easily blame him if he deviated from the disciplinary code of Guru Gobind Singh.

Friday, May 6, 2011

The Quila Mubarak of Patiala



Patiala city of emperors, gardens and palaces has a huge heritage. Quila Mubarak a Historical National Monument of Patiala is situated in the heart of the city and the oldest part of Patiala.
 The palace was built by Maharaja Ala Singh in 1764 .In earlier days, Quila Mubarak was just a kuch-garhi of a mud fort but later it was named as Quila Mubarak. It was reconstructed with baked bricks. 
 


It was again renovated into a sprawling two-storied mansion with a grand entrance with elaborate arches. A huge part of the fort was changed into a heritage museum. The construction of the inner palace was completed by Maharaja Amar Singh (1765-1781 AD). The royal members of the Patiala reign occupied Quila Androon or the Inner Fort. Maharaja Sahib Singh (1781- 1813 AD), Maharaja Karam Singh (1813 AD – 1845 AD) Maharaja Narinder Singh (1845 AD to 1862) also lived in this fort. The Quila Mubarak complex stands in 10-acre ground in the heart of the city and has the main palace or Quila Androon the guesthouse Darbar Hall or Ran Baas.




Painted inside the throne alcove, Masnad Hall, Qila Mubarak - late 19th

The Quila is followed by the Quila Chowk and surrounded by three major commercial markets, Bajaj Bazaar, the Gur Mandi, and Shah Nashin Bazaar. The Adalat Bazaar starts from the Quila and ends at the Anardana Chowk.The Quila Mubarak Complex includes several buildings, namely the Ran Basa, Quila Androon, Darbar Hall, Sard Khana, Jalau Khana Quila Mubarak Gateway and the boundary walls.


Quila Mubarak Gateway is the only entrance for Quila Mubarak Complex which leads to Quila Androon Chowk. The whole structure of Quila Androon can be watched from this space. It is made of red sandstone and carries the exterior of a multiple domes. Androon Gateway is in the inner boundary of the Quila Androon Chowk. 

The whole gateway is constructed with stucco work. Upper portion of this building was probably used by the king to direct over the functions performed in the court.



This building was constructed in the first half of the 20th century; the Quila was used by various people for various activities. Today, due to lack of relationship between the local people and the Quila, the building is loosing its meaning for the outsiders or visitors.

 The cultural importance of Quila Mubarak still lies in its form and the way in which its space has been utilized within it. Quila Androon has a grand gateway as mentioned above. Central axis is located with its northern front wall. It is almost in a square shape. It is very simple in outer look but the gateway is decorated with stucco work.The Quila is divided in multiple courtyards. Each courtyard is indicating as a palace. Three axis are located with every court. These are known as central, the eastern and the western axis. West courtyards of the central axis are private- residential in nature. The east axis zone is more for public use including performing music and art.

A passage between central and east axis leads to the houses the jyot—a sacred flame that was brought from Jwalamukhi by Baba Ala Singh, the founder of Patiala and it continues to be lit till date. The jyot is kept in raised court. Design of the rooms shows the purpose of the construction.

The Rang Mahal is an elaborately painted chamber and large in size meant for royal audience—Diwan-i-khas.Whereas Quila Androon itself is a Diwan-i-am or the public court.